Since 1999 Softday, the art-science collaboration of artist Sean Taylor and computer scientist Mikael Fernström, have engaged with issues relating to natural cycles in time, climate change and its global effects.
Early projects such as Bliain Le Baisteach (A Year of Rainfall) (2000)
looked at fluctuating annual rainfall patterns in Ireland. Further, Cóisir an Tsionainn (The Shannon Suite) (2003)
focused on the four-year life cycle of the wild Atlantic salmon and the effects of overfishing and pollution on the species ability to survive. Projects such as Nobody leaves till the Daphnia sing (2009)
examined the implications of contaminated domestic drinking water supplies in Galway and West Limerick. The Marbh Chrois (Dead Zone) (2010)
project addressed the impact of two ‘contested’ marine dead zones as a key stressor on marine ecosystems in Donegal, Ireland. In 2011 Softday were selected as one of the winning entries to the prestigious project EUROPE – A SOUND PANORAMA, in Karlsruhe, Germany. The Karlsruhe live concert was recorded by Deutschlandradio Kultur and distributed to all European radio stations. Between 2011 and 2013, Softday collaborated with a number of Irish beekeepers, scientist and the monks of Glenstal Abbey, creating Amhrán na mBeach (Song of the Bees)
about the life of honey bees and current threats such as Colony Collapse Disorder (CCD).
As a collaborative team they use their arts practice to explore relations to and understandings of nature, expressed through sonifications and multimedia artworks and performances.
Both artists are interested in exploring the cracks between various media and creative genres such as expanded theatre, sound art, socially engaged practice, sculpture, music, dance and the application of new technologies.